
7th
August 2002,
"Gilroy
is Good for You"
A
slide presentation by Bob
Thake
a
member of the
Probus Club of
Ewell.
Bob gave us
a most
interesting
insight into
the life of the
artist John
Gilroy. What a
surprise it
was, when the
first slide was
screened we saw
a large
advertisement
poster
"Guinness
is Good for
You",
familiar to us
all, in our
younger days
but modified
slightly to
give the theme
to the talk!
We
well remember
the amusing
presentations
of the ostrich
with his
keeper's glass
of Guinness
slipping down
its throat,
with a pleasing
look in its
eyes while the
keeper
admonishes the
bird for
stealing his
Guinness.
Also
the one of the
Toucan sitting
on a weather
vane with a
glass of
Guinness
balanced on his
beak, and
indeed several
more posters
with similar
situations were
shown.
John Gilroy
was born in
1898 at Whitley
Bay near
Newcastle-upon-Tyne,
he was one of a
large family
his father
William was a
landscape
painter and it
was clear from
an early age
that John was
going to follow
in his
footsteps. From
the early age
of fifteen he
was a
cartoonist for
a Newcastle
papers,
producing
cartoons of
artists who
played the
Newcastle
circuit. In
1912 he won a
scholarship to
Armstrong
College Art
School, Durham
University.
The First
World War
interrupted
Gilroy's
studies and he
served
overseas, he
resumed his
studies taking
a place at the
Royal College
of Art, London,
he attained the
RCA diploma in
painting. And
was rewarded
through
scholarships
and prizes,
finally he won
an RCA
travelling
scholarship, he
graduated from
the RCA in July
1923 but stayed
on there until
1925 as a
lecturer.
In 1925
Gilroy embarked
on his long
association
with the
advertising
agency
Benson's.
Although
Benson's was
the first
advertising
agency for whom
Gilroy worked
as a company
artist, he had
already proven
himself in the
commercial art
sphere.
Gilroy's
early work at
Benson's is
suggested to
have been on
projects for
Sardines and
Virol. During
his time there
he also worked
on campaigns
for Bovril,
Macleans and
Monk &
Glass Custard.
His first
significant
assignment was
the Mustard
Club campaign
for Coleman's,
on which he
worked with
fellow artist
W.Brearley and
copywriters
Greene and the
latterly famous
author Dorothy
L Sayers, who
at that stage
was just a
copywriter!
In
1928 Benson's
gained the
Guinness
advertising
account and
Gilroy became
involved with
the beverage
with which his
work is most
closely
associated.
Gilroy's first
known Guinness
poster was
produced in
1930. He
produced
countless
adverts and
numerous poster
designs for
Guinness over
nearly four
decades. He is
perhaps best
remembered for
his posters
featuring the
girder carrier
and the
woodcutter from
the Guinness
for Strength
campaigns of
the early 1930s
and for the
Guinness
animals.
The
posters were of
course a great
success for
Guinness in
promoting the
drink, indeed
many people
were encouraged
to drink it
because of its
iron content,
and no doubt
its medicinal
contents were
good.
Bob then
screened some
photographs of
portraits of
the Royal
Family together
with others of
actors of the
day. Will Hay
from the film
"Ghost
Train" for
example was
one. He
explained that
these portraits
had been
commissioned
because of his
success with
the Guinness
posters.
It was
interesting to
note that his
financial
rewards were
very poor for
the quality of
his work that
he produced
although
Guinness did
ultimately
award him with
an honorarium
of £2,000 per
year until his
death.
I am sure
today; he would
have received
far greater
rewards working
for a modern
commercial
artist group,
however, as Bob
said, Gilroy
enjoyed his
work and
managed to keep
going until he
died.
Gilroy
continued to
produce
Guinness
material well
into the 1960s
even though he
left Benson's
employment to
continue
freelance work.
During the
1920s and
succeeding
decades
commercial art
was not
Gilroy's sole
occupation; he
began to build
his reputation
as a painter
both of
portraits and
landscapes. One
of his earliest
portrait
commissions was
to paint the
future Edward
V111.
Throughout
the 30's
Gilroy's
paintings
continued to be
exhibited at
the Royal
Academy, his
first being
"Gwen"
whilst his
posters
appeared on
advertising
hoarding, in
newspapers etc.
In 1941, with
the onset of
the blitz, the
artist moved
away from the
devastation of
London.
Throughout
the war years,
Gilroy's work
continued to be
shown at the
Royal Academy
while his
commercial
talents
produced
wartime posters
for the
government.
Gilroy
produced
greeting card
designs for
Royle
Publications
with hundreds
of published
designs over
the next 30 odd
year
Gilroy
was a
longstanding
member of the
Garrick Club
where he was
Chairman of the
Arts Committee
and where a
number of his
paintings hang.
In 1975
Newcastle
University
awarded an
honorary MA to
Gilroy and in
1981, he was
appointed a
Freeman of the
City of London.
John Gilroy
died at
Guildford,
Surrey in 1985,
aged 86.
Bob Thake
gave much more
detail than
shown above and
amplified his
presentation
with a wider
selection of
poster and
paintings than
shown here.
Over 60 members
showed their
appreciation in
the normal
manner after
enjoying this
excellent slide
lecture.
Well
done
Bob.