For our June 2008 meeting we were delighted
to hear
Christopher Orlebar (shown
left). Christopher John Dugmore
Orlebar (born 4 February 1945) was a British Concorde pilot with British
Airways, and is now well-known as a lecturer and writer and as a
frequent contributor to TV aviation documentaries, on aviation subjects
generally, and on the Anglo-French aeroplane in particular.
Orlebar, the son of Brigadier John
Orlebar, was educated at Rugby School and Southampton University. He
learned to fly in 1965 with the Southampton University Air Squadron
(RAF), and then finished his training in civil aviation, at the College
of Air Training at Hamble. Orlebar joined BOAC (later British Airways)
in 1969, and became a VC10 pilot, navigator and instructor. He became a
Concorde pilot and instructor in 1976, flying the aircraft for 10 years.
He went on to become a training Captain on the Boeing 737 from 1986, and
retired from British Airways in 2000.
In between all of his flying activities
Christopher has written a book called the Concorde Story which is still
in print and in its 6th edition. So far over 100,000 copies have been
sold. He has on a number of occasions been called upon to advise on
several documentaries, mainly about Concorde, but also on Air Traffic
Control situations.

ISBN 978 1 85532 667 5
About the Concorde Story ; When commercial
services began in 1976, Concorde quickly established herself as one of
the wonders of the modern technical world. This lavishly illustrated
sixth edition traces Concorde’s development from inception to
withdrawal. It investigates how the Anglo-French Alliance tackled the
project, Concorde’s entry into service and the aircraft’s eventual
commercial success. Other SST (supersonic transport) projects are
considered, as is the future of SST aviation. With reference to the
official report, the tragic event at Paris in July 2000 is analysed
in-depth and outstanding questions concerning the accident are
considered together with why Concorde was withdrawn from service.
The Concorde Story has been a bestseller
since its publication in 1986. Now in its sixth edition, The Concorde
Story has remained the most complete record of the history of Concorde
in print since it was first published. Starting with Concorde's earliest
development, it assesses other forms of supersonic transport and
provides the background to Concorde's evolution. It reveals what it is
like to fly Concorde, and the training procedures to which Concorde
pilots are subjected. The latest edition brings the story up to date,
with chapters on Concorde's final flight and decommissioning, advice on
where to go to see Concorde at rest, and information on the Paris
tragedy of 2000.
Whilst the Concorde story centres on the
design and development of the plane, Christopher gave a potted
presentation to ensure the membership was well aware of the problems
that supersonic flight involved, from the principals of the sonic
barrier and the changes in balance characteristics that enfold when
drag, thrust, mass and lift which should be in balance became unstable
due to the shift of the centre of pressure. He supported this theory
with some nice illustrations and the whole lecture was kept in a refined
manner and supported by his humorous asides aimed at those both
political and cultural ideologies of two countries on a common project
yet using incompatible units of metric and imperial for both design and
manufacture and of course different language!.
An excellent example of engineering
conceptual design to keep lift and mass in balance was the concept of
fuel (mass) transfer aft during flight transition in the sonic region.
This was developed in a test rig at Filton, whilst this solution
answered the problem the complex manipulation was carried out by the
flight engineer not the pilot.
This was a fascinating presentation
supported by screen computer technology of both video and beautiful
slides. This short report cannot do justice, but if you get the chance
to hear this show again grab at the chance, if not do purchase or get
the book written by Christopher.
He mentioned and showed a slide of Sir
Frank Whittle in the cockpit of Concorde, Sir Frank recalled his
aspiration that a jet-propelled aircraft ‘might carry mail across the
Atlantic at 500 mph.’ In the 1930s this was regarded as crazily
optimistic. As for being able to cross the ocean at 1350mph in a 100
seat passenger aircraft he said, such a suggestion ‘would have me locked
up’.
On October 2003 after 27 years the sun set
on the first era of 1350mph supersonic passenger flight. There is no
successor in view and some contend that there never will be. The
Concorde fleet still has many ‘reference flight cycles’ available for
use. These could have been translated into 5 or more years of service.
Indeed, following the tragedy at Paris, British Airways (BA) spent some
£15m on the modifications required to return all seven of its Concordes
to flight and budgeted £14m for the Sir Terence Conran's Concorde cabin
refurbishment, the ‘interim’ version of which was being fitted during
Concorde’s sabbatical. In the event only five were modified for a return
to service and Air France (AF) paid proportionately less to modify four
aircraft, choosing not to refurbish its cabins. Clearly, with well over
£30m being spent or budgeted for, at that stage no one thought that only
two years of commercial service would remain.
John Coomber in his vote of thanks
congratulated Christopher, after a question time, on his all round
presentation and the membership whole heartily agreed. For those who did
not purchase the book, then a short synopsis follows with thanks to the http://www.concordeproject.com/index.htm
The two production test aircraft (201 and 202)
were different in many ways from their four predecessors, necessitating
repeating certain work to obtain certification. It was really these two
aircraft that did the bulk of the flying that allowed the final
certification of Concorde for airline service. However, even though called
production aircraft, they never went into service because the final version,
as specified by the airlines, was different yet again, although not in a way
that affected handling or performance certification.
202 carried on flying after the 14 production
aircraft had been delivered to the airlines. Work included further
performance enhancements, such as the certification of the re-designed air
intake profile. This modification, coupled to an uprated engine, allowed an
increase in payload of 1,500-2,000 lbs.
Another change was an extension of the control
surface trailing edges (by around two inches)- a modification that many now
feel was part of the reason for the rudder de-laminations seen on the fleet
over the years. The aircraft was kept serviceable at Filton throughout early
1982 for any more development work or test flights that were required.
At the end of the Concorde project, the
aircraft was placed in storage out on the airfield. British Airways were
given access, through their support contract, to use the aircraft for
certain parts that were not immediately available. In April 1984 they
acquired title to the aircraft and started using it as one of the main spare
part sources. The airline had only been flying six aircraft and had been
using a four year old aircraft, G-BOAG, for spares. With access to Delta
Golf, British Airways set out on returning G-BOAG to flight status.
To protect their investment and keep prying
eyes off what was very quickly becoming an eyesore, British Airways
constructed a special hangar for G-BBDG. The "202 hangar" as it is
affectionally known, was completed in early 1988. The aircraft (minus tail
fin) was moved inside in May 1988.
As the aircraft was structurally sound, British
Airways investigated, in the early 90's, the possibility of refitting for
airline service. This would allow the airline to keep a fleet of six or
seven serviceable aircraft doing engineering checks. The plan was found to
be too costly and was rejected, although the study proved that if one of the
seven BA aircraft suffered serious damage, parts from the damaged (and
written-off) aircraft could be fitted to 202 and the airframe used to bring
the fleet back up to strength, but there were doubts on certification, due
to the fuselage skin being slightly thinner.
In 1995, Concorde G-BOAF's droop nose was
damaged during a ground handling accident at Heathrow. BA decided to swap it
for the droop nose on 202. Alpha-Foxtrot's nose, although not badly damaged,
was kept as a spare and would be repaired in the future if required. It was
not fitted on to 202.
Even as it looked like the end of the road was
near for Delta-Golf, she was again found to be useful in late 2002 for
prototype fittings of the new strengthened cockpit doors required by the
authorities on the BA and AF fleets, after Sept 11th 2001.
In late 2003 she was offered to the Brooklands
Museum Trust for restoration, where in May/June 2004 she was moved to the
museum's Weybridge site.
With Concorde Delta Golf now open to the
general public, this page brings together all the details and information
that anybody might need prior to visiting DG - from a rough guide to what
there is to see onboard Concorde, to admission prices and directions to the
museum.
The Brooklands Concorde Experience has been
designed to give visitors a unique experience and something different from
the other Concorde exhibits around the country. Entry to Delta Golf is by
ticket only and tours start at intervals of 15 minutes each day, 7 days a
week. It is not normally necessary to pre-book tickets prior to visiting the
museum although there is a limit to the number of tours each day and
naturally certain times of the year are busier than others (school holidays
etc.)
The inside of Delta Golf is split into 3 main
areas. Visitors board DG via the cargo door at the rear of the aircraft and
enter into the rear cabin. In operational service Concorde's rear cabin
would have contained 60 seats, however, Delta Golf's rear cabin has been
converted in an exhibition area. Here can be found exhibits such as George
Edwards' famous 'Pork Pie' hat, Delta Golf's original flight logs and a
helmet worn by flight crew during Concorde's testing days. Also in here are
3 video screens that show several short videos, one of which is called 'The
Brooklands Concorde Story'. As the name suggests, this tells the story of
Delta Golf, how it was transported to Brooklands and how it was rebuilt and
restored.
Visitors then walk through the mid-cabin and an
area of extended exhibition space called 'Concorde Through the Decades'. In
here is a selection of seats that Concorde flew with during its operational
life covering the 70s, 80s, and 90s. These include a pair of the plush blue
leather Terence Conran designed seats that most of the British Airways
Concordes were fitted with up until their retirement. The seat tray tables
are complete with unique Concorde crockery and cutlery and general Concorde
memorabilia. The wall panels, hat racks and forward bulkheads in this area
are all that now exists of Delta Golf's original interior. Also on show in
here are two large test equipment racks that were original fitted in Delta
Golf's aft hold during the 1970s.
Finally, visitors walk through to the forward
cabin. Here they are invited to take their seats for their Concorde
'flight'. The forward cabin has been completely re-fitted with interior
trim, luggage bins and 40 seats. In addition, the cabin has been fitted with
a large video screen and a state of the art sound system that helps to give
people some idea of what a flight on Concorde was like. The video is
presented by Captain Mike Bannister and he guides you from take off and the
acceleration through Mach 2 - twice the speed of sound - with explanations
of how Concorde was operated during the different phases of flight. During
the video the Mach meters on the forward bulkheads display Concorde's speed
and height. Once in the cruise at Mach 2 and 58000ft there is a special
treat for visitors - but you’ll have to visit to see that!
On the way out visitors have an opportunity to
view (but, unfortunately, not enter) Delta Golf's cockpit. This has been
completely re-fitted with instruments, flight controls and crew seats. The
cockpit of Concorde really is a sight to behold with its myriad of dials and
switches and is a glimpse back at 1960s technology and the days when it took
a minimum of 3 people to fly an airliner. In the not too distant future it
will be possible to partially enter the cockpit where a specially made
Perspex door (with suitably cut hole for cameras!) will allow visitors to
see the cockpit close-up. When visitors leave Delta Golf, there is a chance
to sign the visitors book and to let us know how much they enjoyed the
experience!
more see...............http://www.concordeproject.com/index.htm
with thanks, more great pictures there.